A su favor diré que está muy bien fabricado, en la línea de EHX, y que la emulación de bajo está bastante lograda. La posibilidad de usar un pedal de expresión es genial y no se aprecia retardo al seguir notas ni acordes, y todo esto lo hace ocupando poco en la pedalera. El problema es que no ofrece suficiente flexibilidad a la hora de subir o bajar semitonos, lo que limita bastante su función como pitch shifter, al menos para el uso que yo pensaba darle. He solicitado la devolución con cierta pena porque para tener toda la flexibilidad que quiero cambiando afinaciones me voy a tener que comprar el pitch shifter plus, que es bastante más grande y más caro, y ofrece un montón de posibilidades que están muy bien pero que no creo que utilice mucho.

うちにあるピッチシフターは BOSS の PS-2 でもはやビンテージ。今は PS-6 だもんね、最新のに買い替えようと探していたらこれになりました。ラッチボタンで、踏んでる間だけピッチシフターがかかるようにもできるので、単体でもオクターブアップダウンを疑似ワーミーっぽく使えます。上と下と原音の3声が出るのですが、ピッチをオクターブゼロにすると３声のデチューンになるので、厚いコーラスになります。色々使えて飽きないエフェクターだと思いますよ、BOSS に飽きたらこれがオススメですかね！

Do yourself a favour and buy an expression pedal with this, hours of fun. This pedal works great with guitar and synth but mostly I use it on my Bass and it sounds huge. This is not a pedal you see second hand very often and there’s a reason. This thing slaps.

Inutile parlare del brand perché se siete qui lo conoscete. pedale bellissimo e se associato ad un pedale di espressione è praticamente un whammy.Ottimo

One of the more under-utilized features (on YouTube demos) is the dual mode with harmonies. That mode is very inspiring. The M6 setting is amazing (basically comes out to be a major triad a fifth down from the note you play). Use the 1 octave setting in dual mode with the Superego for an organ-like sound. (Or get the EHX B9 if you're really into organs.)You're definitely going to want an expression pedal so you can change the gliss speed or gliss manually. The Moog EP3 (about 40 bucks) works nicely–one Korg pedal I tried at a store shifted the pitch to 100% when pressed down only about 20% of the way. I believe it depends on whether the pedal is linear or non-linear ("audio").Getting precise with gliss duration using an expression pedal takes a minute, so if you want to get more exact gliss duration times for live purposes, you can either program it to stay at one setting (read the manual for info on this) or, if you want multiple settings you're going to want to buy a knob-based expression box (such as the Saturnworks Double Expression Guitar Pedal) instead of an actual shift pedal, that way you can put down a sticker and mark it with different speeds for different songs.The tracking is perfect. The one downside is that when you change the pitch, it does take off some of the highs while the note is being shifted. Sounds fine when the note is not shifted. So if you're doing a super hifi/bright/fuzzy/dry tone and recording it DI, it's pretty noticeable unless you roll off the highs. Not sure if it'd be noticeable through an amp. I don't have the Whammy DT so I can't compare, but I'd imagine all pitch shifting pedals have this problem.I did an A/B test shifting octave down vs a MicroPOG and an actual bass. When you're using distortion, there's almost no difference aside from the low end (which could be accounted for by the fact that I'm using two different brands of instrument). When you're running it clean, it's almost identical to the MicroPOG (although the MicroPOG has some sublte, high pitched artifacting). Compared to an actual bass, it definitely has a different sound and doesn't have the attack a bass has, but might work fine live, for writing purposes, and for special effects.Going down 2 or 3 octaves on the low E string is pretty much useless, muddy.Read the user manual if you're really not sure on this purchase.