SIRUI Saturn 35 mm T2.9 1.6X Full-frame koolstofvezel anamorfe lens, lichtgewicht bioscooplens voor drones, handheld gimbalstabilisatoren (E-bevestiging, blauwe flare)

Espectacular y muy buen precio.

For those of us who are passionate about anamorphic lenses and the cinematic quality they bring to footage, the SIRUI Saturn 35mm T2.9 1.6X Anamorphic Lens for Sony EF is a piece of equipment that's hard to overlook, despite its steep price.The 1.6x squeeze factor of this lens is a technical marvel. When shooting 4K footage, you get a resolution of 3840x1350, which is not standard. But here's the magic: it gives you the horizontal field of view equivalent to a full-frame 22mm lens. This means that while your footage has the characteristic anamorphic compression, you're not losing the wide-angle perspective that's essential for grand, cinematic shots.Size-wise, this lens is impressively compact, especially when compared to its larger Sirui siblings. It's almost hard to believe when you see it side by side with, say, the 50mm (as shown in the picture). This makes it an incredibly portable option for filmmakers who are always on the move.The oval bokeh produced by this lens is nothing short of lovely, adding that sought-after, dreamy, cinematic look to your background elements. And let's talk about the lens flares – they're the crispy blue that anamorphic lenses are famous for. However, they can be quite pronounced, which might not be to everyone's taste. For those who find the effect too intense, I'd recommend pairing this lens with a Black Mist/Fog filter to soften the sharpness and tame the flares a bit.Regarding the aperture, a T2.9 on this lens is roughly equivalent to an f/2.8 in terms of light-gathering capability. It's a common misconception that T-stops and f-stops are interchangeable, but T-stops actually measure the actual light transmission, which is more accurate for cinematography.In conclusion, if you're looking to bring that anamorphic charm to your footage without lugging around a massive lens, the SIRUI Saturn 35mm T2.9 1.6X is an excellent choice. Yes, it's an investment, but for the quality and cinematic flair it adds to your work, it's an investment worth considering. Highly recommended for the anamorphic aficionado!

Anamorphic lenses have always been a dream of mine to shoot with and when Sirui released their 50mm I had to get it and was impressed with that lens all round.Now we have the 35mm and its just fantastic as I can shoot wider shots with amazing characteristics. Being 1.33x should not put people off as you get the blue flares and the bokeh is really nice (there are mods if you want to get that perfect oval look)The big surprise with this lens is how sharp it is at F1.8 just like the 50mm.I have MFT cameras so this really helps to add a dimension to shots and I have ordered the 24mm to add to the collection. If Sirui make a wider lens then 24 then that will be perfect to get truly scopic shots all the way.I will say that you need a camerea/monitor that can de-squeeze the image as well as the right software if you're just a beginner but many editing programmes de-squeeze easily.If you're a photographer this lens will add a unique look to your photos just like the great Dick Sweeney has done, and if you want to create videos with a cinema look and can get only one anamorphic lens stick with the 35mm.Top notch lens all the way and Sirui have set the bar high and I am sure more anamorphic lenses will hit the market.

j'adore cet objetcif, il a de la personnalité, le flare est un peu prononcé mais magnifique, il raconte une histoire peut importe la scene ! Et de plus il est ultra compacte et à petit prix (699 €)Par contre mes petits points négatifs :- Focus manuel (franchement j'adore le charme et le rendu du focus manuel, ça ne me dérange aps tant que ça mais ça lui enlève un peu de flexibilité pour certains shoot)- Flare un peu trop prononcé à mon gout mais magnifique- Et ce n'est pas du cinemascope ;( obligé de croper en post prod mais c'est le jeux vu le prixBref je l'adore ! mais mon idéal serait un full frame 1.33 x avec autofocus en dessous de 1000 €

Questa recensione è relativa al modello Saturn 35mm in fibra di carbonio.L'obiettivo è bello ma ha una ghiera del fuoco durissima e - visto che gli obiettivi anamorfici aumentano di suo l'effetto distorsione del rolling shutter- ad ogni cambio di fuoco corrisponderà un sobbalzo che rovinerà i filmati. Anche con fuoco motorizzato la forza necessaria è così forte che comunque anche fisso sul treppiedi si noterà il rolling shutter.E' difficilissimo mettere a fuoco anche con monitor esterno ed in più da la lunghezza minima di messa a fuoco è 1 metro quindi dovrete mettere e togliere un filtro close up ogni volta che vorrete avvicinarvi un minimo al soggetto.La lente è molto distorta come molte lenti anamorfiche ma il tipo di distorsione è particolarmente fastidiosa perché non è "a botte" ma "a cuscinetto" con la parte centrale risucchiata.I riflessi tipici dell'anamorfico sono poco presenti e solo con luce estremamente forte in condizioni di contrasto elevate. Se confronterete le immagini di una lente vintage sferica (che si trova a pochi euro) tagliata in formato anamorfico e la confronterete con quelle realizzate da queste obiettivo, queste ultime appariranno molto più distorte e di bassa qualità.La mia domanda è quindi: se la qualità dell'immagine è inferiore ad una normale lente da pochi euro, quale è il senso di complicarsi la vita con una lente di questo tipo? Un flare occasionale quando si punta un flash al buio? Spendendo 1.500 euro?