Étant guitariste chanteur intermittent, je voulais step up en terme de qualité de son in ear. J’avais jusqu’à présent les audio technica ath e70 à 339€ qui manquais de définition et ne rentraient pas bien dans l’oreille ce qui provoquais une perte de basse.Avec ces nouveaux KZ, le son est bien au dessus de mes E70 et pour + de 2x moins cher. La definition du son est plutôt impressionnante pour le prix. L’isolation est très très bien ce qui permet d’avoir beaucoup de basse.Le rendu est Warm, les aigus sont doux et les basses bumpé. Le son n’est clairement pas flat mais je penses qu’il a bien été pensé pour une utilisation prolongée, permettant ainsi une utilisation à fort volume sans trop de fatigue.Une trouve cependant le confort moyen. Les écouteurs sont assez gros. Mais au moins ils isolent bien l’oreille.Il n’y a pas de serrage pour les écouteurs, ce qui est dommage.Pour conclure, si vous cherchez des écouteurs de scènes avec une bonne isolation, un niveau de détaille impressionnant à un prix très faible, je vous console de moins cette paire plutôt que des shure/ audiotechnicas a 500€.

Excelente. Sonido limpio y claro. Bajos que te hacen temblar las orejas, medios que te dan escalofríos y agudos limpios sin chirrido.No son los primeros iems de alta calidad que tengo y estoy contento.Definitivamente muy buenos, recomiendo comprar siempre las almodillas anti cera que venden de la misma marca.

Coming from custom in ears, I won’t go back. Having tried 4 pairs of KZ, these are the best. I tried the version without the switches but would recommend the switches.

Ottimi, suono splendido per il prezzo che costano. Selettore frequenze io consiglio 1100. Usate i suoi gommini vanno benissimo.Unico difetto il peso, tendono a cadere. Se volete di meglio andate sulla serie 5 Shure ma bisogna aggiungere 300 euro.

This is probably one of the best KZ designs and Linsoul fabrication headset monitors for real pro listening capabilities. Sound quality in the highest and lowest frequencies is amazing if the right foam is fitted for a person’s ear size. Get this: with four switches, it can still be adjusted by the tiny drivers. Almost as technologically advanced as real-life experiences. I have another version, not from Linsoul, but with 8 switches per headset for each of 12 drivers; it has very similar sound quality. Tested for very low and high-frequency recordings of electronic music, it lacks a little bit only in very low and continuous signals, but for heaven’s sake, when have we had the opportunity for capable DAC USB attachments and 32-bit 384 kHz listening experiences for those who can really hear? I didn't test the non-switches version, but I can tell you this: Shure, Acoustic Research, Bose, and even Creative, none of these can come close to this listening experience.If you don't know how to use pro headset monitors properly or you are a beginner with very good listening capabilities and wonder what recordings sound like in a digital environment, here is some advice to follow:* **Pick the right headset and right equipment for your listening and hearing capabilities.** (Do a hearing test. Some phones come with it; download an app for that and follow the instructions. Samsung has had it for years inside the sound assistance app. Apple still claims 16-bit 41 kHz, but in the test, it is lower than 8-bit, so not for pro listeners. Apple equipment and accessories are usually 20 kHz, only for mid-range sound, not for pros, unless pro equipment is added. Why add if you can have it directly?)* **Pick the right listening app with tons of adjustable sound features to render the sound recording technology, not just to listen to the original recording.** (Such as Poweramp for Android, even though Google wants to reduce Poweramp's capabilities for their own gain as listening apps.)* **Pick the right attachment cable for your headset with minimal 8-coil high-quality oxygen and tangle-free two-pin connection cable attachments.** (Oxygen-free is important not only for listening and hearing scratches but also for the green visual copper connections over time for transparency. Pay attention if your headset has B or C connections; two-pin usually means standard.)* **Ensure it sits well in your ear and pull it tight as you wish for comfort with the cable tie if you have the non-microphone version.** Use the right size (not so tight—it will cause headaches over time—not so loose—it will drop or get stuck in your ears) foam cushions, not silicon standard buds. Nowadays, they all come with at least one set of medium cushions.* **Adjust your app settings correctly.** Not too much high and low in EQ; do not go over 3.5 dB from the 0 dB level. Do not adjust more than 3-7% surround reverb, damp, filter, delay, fade; size not to exceed 10%, depending on your track. Remember to keep the level of the wave signal tangent as logarithmic to have a sound experience as intended.Rest is peace of mind, and I hope this helps.This article may be relevant to other versions of KZ 24 driver versions if you can’t afford them. The total 10-16 driver versions of KZ also have excellent sound quality, better than any Bose, Sony, etc. I’m not even counting low-end sets like Beats. Remember to check Linsoul fabrications for other known sound product designers other than KZ. However, in terms of the number of drivers, productivity, and cost, the Linsoul-KZ combination is a very good one.I hope this improves the clarity of your listening experience.